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American blithe television series

Avatar: The Last Airbender
Avatar The Last Airbender logo.svg
Likewise known as Avatar: The Legend of Aang [1]
Genre
  • Action-adventure
  • Fantasy
  • Comedy drama
Created past
  • Michael Dante DiMartino
  • Bryan Konietzko
Voices of
  • Zach Tyler Eisen
  • Mae Whitman
  • Jack DeSena
  • Dante Basco
  • Jessie Flower
  • Dee Bradley Baker
  • Mako
  • Greg Baldwin
  • Grey DeLisle
  • Mark Hamill
Composers
  • Jeremy Zuckerman
  • Benjamin Wynn
Country of origin United States
Original language English
No. of seasons 3
No. of episodes 61 (list of episodes)
Production
Executive producers
  • Michael Dante DiMartino
  • Bryan Konietzko
  • Aaron Ehasz (co-executive producer)
Animators JM Blitheness (32 episodes)[a]
DR Flick (19 episodes)[b]
Moi Animation (10 episodes)[c]
Running time 23 minutes
Production company Nickelodeon Blitheness Studios
Distributor MTV Networks
Release
Original network Nickelodeon
Moving picture format NTSC
Original release February 21, 2005 (2005-02-21) –
July 19, 2008 (2008-07-19)
Chronology
Followed past
  • Avatar: The Final Airbender (comics)
  • The Legend of Korra

Avatar: The Last Airbender (abbreviated equally ATLA [2]), also known every bit Avatar: The Legend of Aang in some regions, is an American blithe television series produced by Nickelodeon Blitheness Studios. It was co-created by Michael Dante DiMartino and Bryan Konietzko, with Aaron Ehasz serving as head writer. Information technology aired on Nickelodeon for iii seasons, from February 2005 to July 2008.[three]

Avatar is ready in an Asiatic-inspired earth in which certain people tin can telekinetically manipulate one of the four classical elements—water, globe, fire, or air—through practices known every bit "angle", inspired by Chinese martial arts. The but private who can bend all four elements, the "Avatar", is responsible for maintaining balance among the world's 4 nations, and serves as the bridge betwixt the physical world and the spirit world. The series is presented in a style that combines anime with United States cartoons and relies on the imagery of mainly Eastward Asian culture, with some South Asian, New World, and Inuit and Sireniki influences.

The serial is centered effectually the journey of twelve-twelvemonth-old Aang, the electric current Avatar and last survivor of his nation, the Air Nomads, along with his friends Katara, Sokka, and later on Toph, as they strive to end the Fire Nation'due south war against the other nations of the world. Information technology also follows the story of Zuko—the exiled prince of the Fire Nation, seeking to restore his lost accolade past capturing Aang, accompanied by his wise uncle Iroh—and afterwards, his aggressive sister Azula.

Avatar: The Final Airbender was a ratings success and received critical acclaim for its characters, cultural references, art direction, soundtrack, humor, and themes. These include concepts rarely touched on in youth entertainment, such as war, genocide, imperialism, totalitarianism, indoctrination and free selection.[4] The show is regarded by several critics as one of the greatest animated television series of all fourth dimension. It won five Annie Awards, a Genesis Honour, a Primetime Emmy Award, a Kids' Choice Award, and a Peabody Laurels.

The extended Avatar franchise includes an ongoing comics series, a prequel novel series, an animated sequel series, and a alive-action film, as well equally an upcoming live-activity remake serial produced for Netflix.[5] The complete series was released on Blu-ray in June 2018 in honor of the tenth anniversary of its finale[vi] and was fabricated bachelor to stream on Netflix in the United States and Canada in May 2020,[seven] [8] on Paramount+ in June 2020,[9] and on Amazon Prime Video in January 2021.[ten]

Serial overview

Setting

world map

A map of the four nations

Avatar: The Last Airbender is set in a world where human civilization consists of four nations, named after the four classical elements: the Water Tribes, the Globe Kingdom, the Fire Nation, and the Air Nomads. In each nation, certain people, known equally "benders" (waterbenders, earthbenders, firebenders and airbenders), have the power to telekinetically manipulate and control the element corresponding to their nation, using gestures based on Chinese martial arts. The Avatar is the only person with the ability to bend all iv elements.

The Avatar is an international arbiter whose duty is to maintain harmony amid the four nations, and act as a mediator between humans and spirits. When the Avatar dies, their spirit is reincarnated in a new torso, who will exist born to parents in the adjacent nation in a set up club known every bit the Avatar bicycle: Fire, Air, Water and Earth. Past tradition, a new Avatar will travel the world to learn all four bending arts, afterward which they will brainstorm in earnest their office as global peacekeeper. The Avatar can enter a condition known every bit "the Avatar State", in which they temporarily gain the skills and knowledge of all their past incarnations. Although this is when the Avatar is most powerful, if the Avatar were always to exist killed while in the Avatar State, the reincarnation cycle would end and the Avatar would never over again be reborn.

Synopsis

A century ago, the young Avatar Aang, agape of his new responsibilities, fled from his habitation and was forced into the body of water past a tempest. He encased himself in suspended animation in an iceberg near the Due south Pole. Presently subsequently, Fire Lord Sozin, the ruler of the Burn down Nation, launched a earth war to expand his nation's empire. Knowing that the Avatar must be an Air Nomad, he carried out a genocide against the Air Nomads with the help of a comet enhancing firebenders' power. One hundred years subsequently, Katara and Sokka, teenagers of the Southern H2o Tribe, accidentally discover Aang and revive him.

In the first flavour, Aang travels with Katara and Sokka to the Northern Water Tribe so he can learn waterbending and exist prepared to defeat the Fire Nation. Prince Zuko, the banished son of the electric current Fire Lord Ozai, pursues them, accompanied by his uncle Iroh, hoping to capture the Avatar to restore his honor. Aang is also pursued by Zhao, a Fire Nation admiral aspiring to win Ozai's favor. When his navy attacks the Northern Water Tribe, Zhao kills the moon spirit; Yue, the princess of the tribe, sacrifices her life to revive it, and Aang drives off the enemy fleet.

In the second season, Aang learns earthbending from Toph Beifong, a blind twelve-yr-one-time earthbending prodigy. Zuko and Iroh, now fugitives from the Fire Lord, become refugees in the Earth Kingdom, eventually settling in its capital letter Ba Sing Se. Both groups are pursued by Azula, Zuko's younger sister and a firebending prodigy. Aang's group travels to Ba Sing Se to seek the Earth Male monarch's support for an attack on the Fire Nation timed to an upcoming solar eclipse, during which firebenders will be powerless. Azula instigates a coup d'état, bringing the capital nether Burn Nation control, and Zuko sides with his sister. Aang is mortally wounded by Azula, but he is revived by Katara.

In the third flavor, Aang and his allies invade the Fire Nation capital during the solar eclipse, simply are forced to retreat. Zuko abandons the Fire Nation to bring together Aang and teach him firebending. Aang, raised by monks to respect all life, wrestles with the possibility that he will take to kill Ozai to end the war. When Sozin's comet returns, Aang confronts Ozai and uses his Avatar powers to strip Ozai of his firebending ability; meanwhile, Aang's friends liberate Ba Sing Se, destroy the Burn Nation airship armada, and capture Azula. Zuko is crowned the new Burn down Lord and the state of war comes to an end.

Episodes

The series consists of threescore-one episodes. The first episode—an-hour-long premiere—aired on February 21, 2005, on Nickelodeon.[11] The series concluded with a 2-60 minutes television movie circulate on July xix, 2008.[12] Each season of the series is known as a "book", in which each episode is referred to every bit a "chapter". Each book takes its name from one of the elements Aang must principal: Water, Earth, and Fire.[xi] The evidence's outset two seasons each consists of twenty episodes and the third season has twenty-i. The unabridged series has been released on DVD in regions 1, 2 and four.[13]

As of May 2020,[update] the complete series is available on Netflix in the United States.[xiv] Information technology became the most pop evidence on Us Netflix within the first week of its release there, despite not being featured on the main page.[vii] The testify broke the tape for longest consecutive appearance on Netflix'south daily top x list, with 60 straight days on the list, one of but two shows in the acme x record holders that wasn't a Netflix original series as of July 2020.[15] Later in June 2020, the complete series became available on Paramount+ (at the time CBS All Admission)[ix] and afterward Amazon Prime Video[10] in January 2021.

Development

Conception and production

Bald man with glasses smiling

Dark-haired man with glasses smiling

Michael DiMartino (left) and Bryan Konietzko, the serial' co-creators

Avatar: The Last Airbender was co-created and produced past Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Its animation was mostly done by South Korean studios JM Blitheness, DR Moving-picture show, and MOI Animation. Co-ordinate to Konietzko, the series was conceived in early 2001 when he took an erstwhile sketch of a balding, centre-aged human being and imagined the human being as a kid. He drew the graphic symbol herding bison in the sky and showed the sketch to DiMartino, who was watching a documentary about explorers trapped at the South Pole.

Konietzko described their early development of the concept: "There'due south an air guy along with these water people trapped in a snowy wasteland ... and maybe some burn down people are pressing down on them".[16] 2 weeks afterwards, the co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman.[17]

The series was introduced to the public in a teaser reel at Comic-Con 2004,[18] and premiered on Feb 21, 2005.[nineteen]

In an interview, Konietzko said: "Mike and I were really interested in other epic 'Legends & Lore' backdrop, like Harry Potter and Lord of the Rings, but we knew that we wanted to take a different approach to that blazon of genre. Our love for Japanese anime, Hong Kong activeness and kung fu movie house, yoga, and Eastern philosophies led us to the initial inspiration for Avatar: The Last Airbender."[twenty]

Pilot

A pilot episode for the series was made in 2003. It was blithe by Tin House, Inc., written by Michael Dante DiMartino and Bryan Konietzko, and directed by Dave Filoni. Mitchel Musso voiced Aang in this airplane pilot but was later replaced by Zach Tyler Eisen when the show began production. In the episode, Sokka and his sis Kya (renamed to Katara by the time the series aired) must travel the world to find masters for Aang, who is the Avatar; however, they must evade a disquisitional foe, Prince Zuko of the Burn down Nation, who wants to capture Aang.

This episode was showtime publicly released as one of the extras in the NTSC season 1 DVD box ready, which were non bachelor with the previously-released individual volumes. As the PAL box set lacks extras, the episode was not made available on DVD in PAL regions. The episode was released with sound commentary from the creators, which unlike commentary on other episodes in the flavor is not possible to disable on the DVD set up.[21] On June xiv, 2010, the unaired pilot was fabricated available with and without commentary for the showtime time via the iTunes Store.[22]

In 2020, the pilot was shown on Twitch.[23]

Influences

Fictional locations featured in the evidence are based on the architecture and designs of real locations. For example, the creators modeled the urban center of Ba Sing Se off the Forbidden City in Beijing, China.

The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to assistance determine its art management and settings.[24] [25] Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.[24] [26] Jeremy Zuckerman and Benjamin Wynn created the serial' music and audio design together in the early developmental stages so went on to dissever the tasks, Zuckerman taking on the musical responsibility and Wynn the sound design. They experimented with a broad range of instruments, including the guzheng, pipa, and duduk, to match the evidence's Asia-influenced setting.[27] The art style of the fictitious locations used in the series are based on real locations in Asia. Sites such every bit the Forbidden City and the Neat Wall of China in Beijing were inspirations for the Earth Kingdom metropolis of Ba Sing Se,[28] and Water Tribe locations were based on Inuit and Sireniki cultures.[4] According to writer Aaron Ehasz, early Burn Nation designs were based on Japanese culture. To avoid accidentally making broad statements, they redesigned many settings and peoples to exist more "broadly inspired".[4] For the last design, the creators went with a more Chinese style for the Burn down Nation's clothing and architecture.[29] For example, the Fire Temple was based on the Yellow Crane Tower, as its flame-like architectural elements were a perfect motif for the Fire Nation compages according to the creators.[30]

The gestures used by the "bender" characters are derived from Chinese martial arts, for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant.[31] Each fighting style is unique to the "benders" who apply them or characters who are aligned to a certain element. For example, practitioners of "waterbending" utilise movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of "earthbending", and was chosen for its firmly rooted stances and powerful strikes every bit a representation of the solidity of earth. Northern Shaolin, which uses potent arm and leg movements, was chosen to stand for "firebending". Ba Gua, which uses dynamic circular movements and quick directional changes, was used for "airbending".[32] The Chu Gar Southern Praying Mantis style can exist seen practiced by the earthbender Toph, who develops a unique fighting fashion equally a result of her blindness.[33] Asian cinema influenced the presentation of these martial-art bending moves.[16]

Themes

The series addresses many topics rarely touched on in youth amusement, including issues relating to war, genocide, imperialism, colonialism and totalitarianism, gender discrimination and female empowerment, marginalization and oppression, as well equally the philosophical questions surrounding fate, destiny and free will.[iv]

The testify is set during a period in which the world is engulfed in an imperialistic state of war initiated by the Fire Nation. While state of war is a constant backdrop, the evidence depicts these effects through the optics of common people—the oppressed Earth Kingdom citizens as well equally indoctrinated Burn down Nation schoolchildren—to evidence how war makes victims of everyone.[4] And while the Burn Nation is presented as the instigator of violence, the testify also depicts the systemic inequality experienced past residents in the Globe Kingdom city of Ba Sing Se also equally the nefarious activities of the city's hush-hush police. These situations prove the corrupting nature of ability and the nuances of proficient and evil.[4] The prove introduces viewers to genocide early when protagonist Aang visits his former home in the Southern Air Temple. He arrives to discover his people have been massacred, and allows him to display a range of emotions, from rage to loss.[34]

The character Zuko and his relationship with his male parent and Uncle Iroh is the series' main redemption arc, and represents the testify's bulletin that destiny and fate are not binding or set by other people, but tin can be changed.[35] In season two, Zuko struggles to adjust to the destiny and path determined by his male parent,[4] only Iroh prods him, asking, "who are you, what do you want?"[36]

The evidence also represents a various cast of characters in order to tackle the issue of marginalization. For instance, in introducing a bullheaded graphic symbol similar Toph and a paraplegic boy like Teo, the testify depicted characters with vulnerabilities overcoming their concrete and societal limitations.[4] This is also true when information technology comes to the show's female characters. For example, female protagonist Katara faces systemic sexism when she reaches the Northern H2o Tribe to learn waterbending. In another instance, her brother Sokka is initially dismissive of the all-female person Kyoshi Warriors, just learns to respect and appreciate their skills.[four] According to Kirk Hamilton of Kotaku, these themes represent the show's message that it is more important to be oneself than hew to societal expectations.[36]

Reception

Ratings

Avatar: The Final Airbender was the highest-rated animated television series in its demographic at its premiere; an boilerplate of 1.ane million viewers watched each new episode.[37] Information technology had 5.6 million viewers for its highest-rated episode[38] [ need quotation to verify ] and was a highly rated part of the Nicktoons lineup beyond its 6-to-11-twelvemonth-old target demographic.[39] A one-hour special, The Secret of the Fire Nation, consisting of the episodes "The Serpent's Laissez passer" and "The Drill", aired on September fifteen, 2006, and attracted 4.i million viewers. According to the Nielsen ratings, the special was the 5th highest-rated cable tv set program that week.[40] In 2007, Avatar: The Last Airbender was syndicated to more than than 105 countries and was one of Nickelodeon'southward top-rated programs. The series ranked starting time on Nickelodeon in Germany, Indonesia, Malaysia, holland, Belgium, and Colombia.[41]

The four-part serial finale, "Sozin'due south Comet", had the series' highest ratings. Its first ambulation averaged 5.six million viewers, 95 percent more than than Nickelodeon had in mid-July 2007.[ citation needed ] During the week of July 14, information technology was the virtually-viewed program by the nether-fourteen demographic.[42] [43] The finale's popularity was reflected in online media; Rise of the Phoenix King, a Nick.com online game based on "Sozin's Comet", had almost 815,000 game plays in three days.[44]

Critical response

Avatar: The Terminal Airbender received widespread critical acclaim. Equally of July 2020[update], the evidence has a critics score of 100% on Rotten Tomatoes based on 23 reviews.[45] Max Nicholson of IGN called it a "must-spotter" and described it equally "one of the greatest animated series of all time".[46] Nick Hartel of DVD Talk called the series a remarkable, "child friendly show" whose legacy "should suffer for years to come".[35] Erik Amaya of Bleeding Cool described the series equally "impressive in its sophistication" and "fantastic".[47] Henry Glasheen of SLUG Magazine called the series "adventurous and exciting", a "classic" and occasionally moving.[48] Co-ordinate to Brittany Lovely of Hypable, it tells "complex and beautiful" stories.[49] Joe Corey of Inside Pulse described the serial every bit an anime-action hybrid.[fifty] Chris Mitchell of Popzara called it ane of best shows to air on Nickelodeon, praising the series' background music and voice interim.[51] D. F. Smith of IGN recommended it to viewers who enjoy action-adventure cartoons.[52]

Rob Keyes of Screen Bluster called the series "ane of the greatest cartoons e'er made".[53] Mike Noyes of Inside Pulse recommended information technology to viewers who enjoy "great" take a chance.[54] Gord Lacey of TVShowsOnDVD.com called the series "one of the finest animated shows ever".[55] Co-ordinate to Todd Douglass, Jr. of DVD Talk, adults volition enjoy the series as much as children do.[56] Joshua Miller of CHUD.com called it "phenomenal" and "i of the almost well animated programs (children's or developed) American Goggle box has ever had"; co-ordinate to Miller, the series is heavily influenced by anime.[57] Tim Janson of Cinefantastique described information technology as "i of the almost engaging animated shows produced".[58] Dennis Amith of J!ENT called the series "ane of the best blithe Television series shown in the United states by American creators". Amith praised its sophisticated storylines, edginess, humor, and action.[59] Franco "Cricket" Te of Nerd Social club described Avatar: The Last Airbender as "one of the best cartoon[s]" he had ever seen, recommending the series for its characters and plot.[lx] Scott Thill of Wired chosen the series engaging and its setting, influenced by the Eastern world, "fantastic".[61] Kirk Hamilton of Kotaku said the series should exist role of the Gilt Age of Television, and recommended "the sophisticated kids testify" to others.[36]

The show's writing and themes have been widely lauded past critics. Michael S. Mammano of Den of Geek called the plot "smartly-written" and praised the animation.[62] Nicole Clark, writing for Vice News, stated that the show's narrative depth was "its greatest asset", and praised the story'south "emotional actuality" and how it "expose[d] very young viewers to darker subject field thing, similar genocide and authoritarianism, while giving them a framework for understanding these bug."[4] Jenifer Rosenberg of ComicMix liked the program'due south accent on family unit, friends, community, and education.[63] According to Nick Hartel, the series touches on themes of "genocide and self-doubt" without frightening younger children; rogue characters are redeemable, sending an important bulletin that people tin can change and are not bonded to "destiny".[35] Chris Mitchell called the plot "fantastic".[51] D. F. Smith compared the series' plot to Japanese action cartoons, calling its tone and dialogue "very American" and praising the humour leavening an epic, dramatic theme suitable for all ages.[52] Rob Keyes also praised the serial' humour and affecting plot: "[It] will capture your hearts".[53]

According to Mike Noyes, the series amalgamates elements of "archetype fantasy epics".[54] Todd Douglass, Jr. called the plot engaging, well-idea-out, and meaningful. The series' concept is "well-realized", with a consistent story. Douglass wrote that the characters "[have] a existent sense of progression", and praised the writers for their sense of humour, drama, and emotion.[56] Joshua Miller called the series surprisingly dark despite its "airheaded" theme; the plot is livelier than that of Lost and, similar to the latter testify, emphasizes character evolution. According to Miller, its writing was "truthful adult levels of storytelling".[57] Tim Janson described the series every bit more than fantasy- and superhero-themed, seeing the characters equally central and relatable.[58] "Cricket" Te praised the series' use of Buddhist philosophies and the diverse presentation of its themes of courage and life.[60] Kirk Hamiltion praises the serial for expressing towards its audience to be themselves and for its tranquillity progressivism.[36]

Critics as well praised Avatar: The Terminal Airbender 's grapheme evolution, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. According to Amaya, the elements were influenced by Hayao Miyazaki.[47] Todd Douglass, Jr. called the character evolution interesting,[56] while Nicole Clark wrote that the show "managed to practice what then few shows even today have: assemble a cast of characters that depicts the earth equally it is, with a range of identities and experiences."[4] Jenifer Rosenburg praised the serial' portrayal of females every bit "strong, responsible, [and] intelligent".[63] Co-ordinate to Joshua Miller, the bender characters' use of angle for everyday activities brings "depth and believability" to the Avatar world. Miller called the series' designs "rich and immersive", with each nation having its own, detailed look. He praised the action scenes as "well rendered", comparison the development of the Avatar world to that of The Lord of the Rings, and the fight choreography as "wonderful in its most minor details".[57] D. F. Smith enjoyed the series' painstaking backgrounds.[52] "Cricket" Te praised each episode's color palette and the choreography'southward combination of martial arts and magic.[threescore] Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows.[35] Chris Mitchell called the animation fluid.[51] "Cricket" Te agreed, noting its manga influence.[sixty] According to Brittany Lovely, non-bender characters in boxing are "overshadowed" by their bender counterparts.[49] Joe Corey called the blitheness's action and environments a "slap-up achievement",[fifty] and Rob Keyes praised the series' fight choreography.[53] According to Kirk Hamilton, the action sequences in the serial are amazing while existence kid-advisable and heady.[36]

Legacy

Avatar: The Last Airbender has get a cult classic and had a large impact in the 2010s on how networks viewed blithe programs; subsequent children's shows would often blur the lines betwixt youth and developed programming, featuring more than developed themes.[64] [65]

Multiple media publications have hailed Avatar as i of the best (animated) tv set series of all time.[66] [iv] [67] [68] [69] [seventy] [71] In 2013, TV Guide included Avatar amongst the 60 greatest cartoon of all-fourth dimension list.[72] In 2018, Vanity Fair ranked the serial every bit the 11th-best blithe TV testify.[73] IndieWire ranked Avatar at number 36 on its 2018 listing of the "50 All-time Animated Serial Of All Time".[74]

The series experienced a resurgence in popularity following its improver to Netflix on May fifteen, 2020; information technology reached the number-one position on the platform's summit serial in the U.S. four days after release, and was the most-popular picture or show for the week of May 14–21.[75] The series maintained a spot inside Netflix's superlative ten series for a tape-setting 60 days, the most of whatsoever show since the company debuted its list of top series in Feb 2020.[76] The serial would become the well-nigh-streamed children's series on the platform for the year.[77] Both fans and co-creators Michael Dante DiMartino and Bryan Konietzko attributed Avatar 's renewed popularity to its relevance to gimmicky events, including the COVID-19 pandemic and racial unrest in the U.S., with DiMartino remarking: "The major bug in the stories—genocide, totalitarianism, systemic injustice, corruption—sadly, these have been pervasive issues throughout history and continue to be. The show is a reflection of our world. But now, we happen to be living through a time in which all these bug have been exacerbated."[78]

Awards and nominations

Award nominations for Avatar: The Concluding Airbender
Year Accolade Category Nominee Status
2005 Pulcinella Awards All-time Activity Hazard TV Series Avatar: The Last Airbender Won[79]
Best Tv set Series Avatar: The Concluding Airbender Won[79]
2006 33rd Annie Awards Best Blithe Idiot box Production Avatar: The Terminal Airbender Nominated[80]
Storyboarding in an Animated Television Product Lauren MacMullan for "The Deserter" Won[80]
Writing for an Animated Tv Production Aaron Ehasz and John O'Bryan for "The Fortuneteller" Nominated[80]
2007 Nickelodeon Australian Kids' Pick Awards 2007 Fave Toon Avatar: The Concluding Airbender Nominated[81]
34th Annie Awards Grapheme Blitheness in a Goggle box Product Yu Jae Myung for "The Bullheaded Bandit" Won[82]
Directing in an Animated Television Production Giancarlo Volpe for "The Drill" Won[82]
Genesis Awards Outstanding Children's Programming "Appa's Lost Days" Won[83]
59th Primetime Emmy Awards Outstanding Animated Program "City of Walls and Secrets" Nominated[84]
Outstanding Private Achievement in Animation Sang-Jin Kim for "Lake Laogai" Won[85]
2008 2008 Kids' Choice Awards Favorite Cartoon Avatar: The Last Airbender Won[86]
Annecy International Animated Motion picture Festival TV series Joaquim Dos Santos for "The Day of Black Sun, Office 2: The Eclipse" Nominated[87]
Peabody Awards N/A Avatar: The Last Airbender Won[88]
13th Satellite Awards Best Youth DVD Book 3: Fire, Book four Nominated[89]
2009 36th Annie Awards All-time Animated Television Production for Children Avatar: The Last Airbender Won[90]
Directing in an Animated Television Production Joaquim Dos Santos for "Sozin'due south Comet, Part 3: Into the Inferno" Won[90]
Gold Reel Awards All-time Sound Editing: Television Animation "Sozin's Comet, Role 4: Avatar Aang" Nominated[91]
Nickelodeon Australian Kids' Pick Awards 2009 Fave Toon Avatar: The Concluding Airbender Won[92]
2010 Nickelodeon Australian Kids' Selection Awards 2010 Top Toon Avatar: The Final Airbender Nominated[93]

Other media

Books

Several books based on the show have been published. Dark Horse Comics published an art book titled Avatar: The Concluding Airbender – The Art of the Animated Serial on June 2, 2010, with 184 pages of original art from the series.[94]

Comics

Several comic-book short stories were published in Nickelodeon Magazine, and Dark Equus caballus published Avatar: The Final Airbender – The Lost Adventures—a drove of these and new comics—on June 15, 2011.[95]

Dark Horse published a graphic-novel series by Gene Yang that continues Aang'due south story after the Hundred Years' State of war. Avatar: The Last Airbender – The Hope, published in 3 volumes in 2012, explores the fate of the Fire Nation colonies that become The Legend of Korra 's United Democracy. This serial was translated into Hebrew in 2016–2017.[96] A second ready of iii comic books, Avatar: The Last Airbender – The Search, focuses on Zuko and Azula, and the fate of their female parent Ursa.[97] The second set was translated into Hebrew in 2018–2019.[98] The third set, Avatar: The Last Airbender – The Rift, shifts the focus to Aang, the cosmos of Republic Urban center, and Toph'south relationship with her family unit.[99] The Rift was followed by Avatar: The Concluding Airbender – Smoke and Shadow about a resistance force in the Fire Nation against Firelord Zuko, who at the stop of the original serial assumed the throne.[100] The fifth graphic novel was Avatar: The Concluding Airbender – North and South, which follows the events of Smoke and Shadow and is well-nigh Katara and Sokka returning to the Water Tribe to encounter various changes to their homeland.[101] The next graphic novel is titled Imbalance and was released in October 2018. The serial explores the emerging conflict between the benders and non-benders that becomes the center for the conflict in the start season of the sequel, The Legend of Korra. Different the previous five books it was written by Organized religion Erin Hicks.[102]

Prequel novel series

A 2-part immature adult novel series focusing on Avatar Kyoshi written by F. C. Yee was published in July 2019 by Abrams Children's Books. The first book of the Kyoshi Novels is Avatar: The Last Airbender – The Ascent of Kyoshi.[103] The 2nd part in the serial, titled The Shadow of Kyoshi, was released on July 21, 2020.[104]

Video games

A video-game trilogy based on the series has been released. The Avatar: The Terminal Airbender video game was released on October x, 2006,[105] and Avatar: The Last Airbender – The Burning Earth was released on October 16, 2007.[106] Avatar: The Last Airbender – Into the Inferno was released on October 13, 2008.[107] Avatar: Legends of the Loonshit, a massively multiplayer online office-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, past Nickelodeon. Players tin create their ain character and interact with other players around the globe.[108] Avatar: The Last Airbender was THQ's bestselling Nickelodeon game in 2006 and was one of Sony CEA's Greatest Hits.[109] Aang and Zuko appear every bit skins for Merlin and Susano, respectively, in Smite.[110] Avatar: The Last Airbender characters and locations are featured in Nickelodeon Kart Racers 2: Thou Prix.[111]

Pic accommodation

The series' first flavour was the basis of the 2010 alive-activeness film The Last Airbender, which was written and directed by M. Nighttime Shyamalan. Information technology was intended as the kickoff of a trilogy of films, each of which would be based upon one of the iii tv set seasons. The film was universally panned for its writing, acting, whitewashed cast, and Shyamalan's direction; it earned a 5% approval rating on Rotten Tomatoes equally well every bit five Razzies at the 31st Golden Raspberry Awards, including Worst Film,[112] [113] [114] and some critics described it every bit one of the worst films always made.[115] [116] [117] Although the film originally shared the title of the television serial, the title The Last Airbender was used considering producers feared it would be dislocated with James Cameron'south movie Avatar.[118] The Concluding Airbender stars Noah Ringer as Aang, Nicola Peltz every bit Katara, Jackson Rathbone as Sokka, Dev Patel as Zuko, and Shaun Toub as Iroh.[112]

Sequel series

The Legend of Korra, a sequel serial to Avatar: The Terminal Airbender, premiered on Nickelodeon on April xiv, 2012.[119] Information technology was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.[120] The show was initially titled Avatar: Legend of Korra, and then The Last Airbender: Legend of Korra; its events occur 70 years after the finish of Avatar: The Terminal Airbender.[121] The series' protagonist is Korra, a 17-twelvemonth-former girl from the Southern Water Tribe who is the incarnation of the Avatar after Aang'southward expiry.[119]

Alive-action series remake

Netflix announced in September 2018 that a "reimagined" live-action remake of Avatar was to start production in 2019. The series' original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.[5] The two said that they intended to suit the series "with a culturally appropriate, non-whitewashed cast".[122] It was announced that Jeremy Zuckerman, who composed music for the original show, would as well be returning to do the music for the remake.[123] On Baronial 12, 2020, Michael Dante DiMartino and Bryan Konietzko both revealed on their social media that they had departed the show due to artistic differences.[124] [125] [126] [127]

In Feb 2021, Albert Kim was reported to have been brought on equally the showrunner.[128] In August later on that year, it was reported that Gordon Cormier, Kiawentiio Tarbell, Ian Ousley and Dallas Liu were cast in the roles of Aang, Katara, Sokka and Zuko, respectively.[129] On Nov 3, Daniel Dae Kim, who voiced General Fong in the original series, was reported to have been bandage as Burn Lord Ozai, followed two weeks later by Paul Sun-Hyung Lee, Lim Kay Siu and Ken Leung in their respective roles as Iroh, Gyatso and Zhao, forth with news that product had begun in Vancouver.[130] [131] More casting news followed in December, with Elizabeth Yu, Maria Zhang, Yvonne Chapman, Casey Camp-Horinek and Tamlyn Tomita respectively cast equally Azula, Suki, Kyoshi, Kanna and Yukari, the latter an original character.[132]

Avatar Studios

On Feb 24, 2021, ViacomCBS announced Avatar Studios, a new division of Nickelodeon centered on developing animated serial and films set in the Avatar universe, to exist distributed via Nickelodeon's linear and digital services, Paramount+, theatres, and other third-political party platforms. The division is helmed by original series creators DiMartino and Konietzko, who are its co-primary creative officers and report to Nickelodeon Blitheness Studio president Ramsey Ann Naito.[133] In addition to this announcement, the company also stated the studio would begin production of an animated film sometime in 2021. Konietzko and DiMartino remarked that "with this new Avatar Studios venture we have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad heady ways and mediums",[134] while ViacomCBS Kids & Family unit president Brian Robbins declared "Avatar: The Last Airbender and Korra have grown at least ten-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan's genius talent on board to helm a studio devoted to expanding their characters and world into new content and formats for fans everywhere".[133]

Tabletop roleplaying game

On July 12, 2021, Magpie Games announced that on Baronial 3 of the aforementioned twelvemonth they'd exist launching a Kickstarter campaign for Avatar Legends: The Roleplaying Game, an officially licensed tabletop roleplaying game set in the universe of Avatar: The Last Airbender and The Legend of Korra.[135] The entrada raised USD $ix.53M, condign the near successful campaign for a tabletop game in Kickstarter'due south history.[136] It has an expected release date of February 2022, with source books most Republic City and the Spirit World planned to exist released in Baronial 2022 and February 2023, respectively.[137]

Notes

  1. ^ JM Blitheness blithe episodes #1–two, 4, 6, 9–10, all even numbered from 12–24, 26–27, all even numbered from 30–54, 57–58 and 60–61.
  2. ^ DR Movie animated episodes #iii, 5, 7–8, all odd numbered from 11–25, 28–29 and all odd numbered from 31–39.
  3. ^ Moi Blitheness animated all odd numbered episodes from #41–53, 55–56 and 59.

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External links

  • Avatar: The Final Airbender at IMDb
  • Avatar: The Last Airbender at the Large Cartoon DataBase

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This audio file was created from a revision of this article dated 8 July 2020 (2020-07-08), and does not reflect subsequent edits.

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Source: https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender

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